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From the Slave Ship to the Cruise Ship: Violence & Resistance in the Hispanic Caribbean
This course explores how authors and creators at the edge of empire defy and resist neocolonial gestures and interventions. Students will examine an array of literary and cultural productions from the 19th century to the present, with a special focus on contemporary visual cultures.
Introduction to Latin American Cinema
This introductory, graduate-level course on Latin American cinema familiarizes students with the three fundamental areas of expertise that shape scholarship in the field: 1) the techniques of filmic analysis; 2) film theory; and 3) the history of film production in the region from the silent period through contemporary cinema.
Beginner/Intermediate Basque
Continuation of BASQ401, with an exhaustive initial overview. Basque is an isolate language spoken in the Basque Country of northern Spain, southern France and the Basque diaspora in Western US and elsewhere. It is unrelated to any modern language. The course may be adapted depending on enrolled students’ needs & interests.
Beyond Bracero, Narcos and Latin Lovers: Latin American and Latinx Film
TAUGHT IN ENGLISH, Gen Ed for “Literature and the Arts” and “US Minority Cultures;" This course studies the relationships between Latinx and Latin American culture through exciting films. It focuses on a set of current and relevant topics (migrations, assimilation and integration, ICE, political struggles, globalization, nationalism and transnationalism).
"Tan Cerca de los Estados Unidos": U.S. Interventions in Latin America Through Literature & Visual Culture
This course addresses the conflictive relationship between the United States and Latin America through literature and visual culture. In 1891, Cuban writer José Martí published his essay Nuestra América, referring to Latin America as opposed to the United States and Canada.
Mapping the Borderlands: Border Culture & Migration in the U.S. & the Americas
Span 326 Mapping the Borderlands focuses on how border communities imagine, experience, and coexist in el Norte, the American Southwest, and Greater Mexico. For the queer Chicana feminist Gloria Anzaldúa, the U.S.-Mexico border is an open wound: "una herida abierta where the Third World grates against the first and bleeds" (Borderlands/La Frontera: The New Mestiza, 25).