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Profs. Eduardo Ledesma & Pilar Martínez Quiroga awarded HRI Summer Faculty Fellowships

Prof. Eduardo Ledesma and Prof. Pilar Martínez Quiroga have both been selected to receive 2025 Summer Faculty Fellowships from the Humanities Research...

Ilaria Strocchia, recipient of HRI Graduate Fellowship

Congratulations to graduate student, Ilaria Strocchia, who has been named one of the 2025-2026 Humanities Research Institute Graduate Student Fellows for this year's theme,...

Prof. José Ignacio Hualde honored with two-volume festschrift

Prof. José Ignacio Hualde has been honored with a two-volume festschrift, Jose Ignazio Hualderen Omenez: Ikerketak Fonologiaz eta Diakroniaz. The festschrift was edited by Julen Manterola, Joseba...

Congratulations to Prof. Melissa Bowles, on the publication of her co-authored book The Acquisition of Spanish

Congratulations to Prof. Melissa Bowles on the publication of her co-authored book (with Eve Zyzik) ...

Lorena Alarcón, recipient of a SLATE Doctoral Dissertation Grant

Congratulations to graduate student, Lorena Alarcón, who has received a SLATE Doctoral Dissertation Grant to support her...

Beyond Bracero, Narcos and Latin Lovers: Latin American and Latinx Film

SPAN 248 (LLS 248) - SPRING 2025 TAUGHT IN ENGLISH, Gen Ed for “Literature and the Arts” and “US Minority Cultures;" This course studies the relationships between Latinx and Latin American culture through exciting films. It focuses on a set of current and relevant topics (migrations, assimilation and integration, ICE, political struggles, globalization, nationalism and transnationalism). No prerequisites. Lecture (AL1) is Online and Sections Face to Face (in person). The class will expose and go beyond stereotypes about...

Mexican National Cinema

This course explores how Mexican cinema, from its beginnings at end of the 19th century through 21st century production, has commented on and participated in major social and national processes such as the Mexican Revolution, the (re)construction of national identity, modernization, as well as the negotiation of changing conceptions of class, gender, and race. We will analyze canonical, landmark films as well as lesser-known works to explore how a variety of directors and genres have engaged the country’s national imaginary through time. As film is an industrial art form, we will examine the...

Realisms in Latin American Cinema

Is one form of cinema more truthful than any other? Are realist styles any more ethical with regards to the depiction of marginalized populations? How and why has realism become an idiom of prestige for Latin American films on the festival circuit? For nearly a century, cinemas purporting to offer an alternative to entertainment films have attempted to situate themselves within a privileged relationship to realism in contradistinction to the notions of pleasure, distraction, and deception that critics have identified as inherent to the commercial movie industry. Taking as its point of...
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