This course explores Latin American and Spanish documentary film in relation to revolutionary and social movements from the 1930s until today. Documentary is seen as a genre that has an “immediate” relationship with reality and history. The course challenges such definitions of what constitutes a documentary and what measure of fiction the genre carries within itself, to show that documentary films do not simply represent reality, but also mediate and actively construct it. Special focus is placed on understanding the role of the Latin American and Spanish documentary as a tool for social...

When Mexican director Guillermo del Toro won the Academy Award for best picture, director and animated feature for Pinocchio (2023), it came as no surprise given the explosive trajectory and growing visibility of contemporary Latin American filmmakers. This exciting course explores some of the most significant films to emerge from Latin America and Spain since 2,000. In fact, the cinema of Latin America and Spain has become increasingly globalized, and all of the films we study have achieved important commercial and critical success internationally; this begs the question, why...

In her song “Somos Sur,” Chilean singer Ana Tijoux reimagines the possibilities of solidarity and collaboration among people in Latin America and around the so-called Global South. By giving voice to those unrepresented communities in el Sur, she proposes creating resistance against injustice and discrimination in the region. Such as Tijoux, many Latin American writers and scholars have constantly rethought living in Lationamérica, understanding the cultural differences between Europe and the US, and providing strategies against oppression and political repression in their own countries. This...

This course examines the relationship between food, culture and society in colonial Latin America and its impact on our society today. Why we eat what we eat is a product of the encounters between these diverse societies (European, Indigenous and African) in the past and the result of subsequent centuries of social interactions.  Our aim is to read culture through food to better understand its impact on the articulation of social hierarchies, identity constructions, cultural distinction, and power. We will discuss a variety of written and visual texts from the colonial period (15th to...

On the fantastic, speculative, and futuristic in Spain’s literature from the 18th C-present. T/TH 2:00-3:20 pm CRN 53119 Pre-req: Span 228 Instructor: Prof. Anna Torres-Cacoullos   Course image credit: “Moonchild” by Santiago Caruso  

Learn about and from Latinx immigrants living and working in Champaign-Urbana. As you learn about their strengths and challenges, you will see how their realities reflect larger issues of immigration on a global, national and regional scale. You will hear directly from local Latinx leaders and people who stand alongside them, working toward immigrant justice. Students should plan to dedicate 20 hours to volunteering in the community in addition to class time. *SPAN 232 fulfills the US Minority cultures gen ed requirement. The course is taught in Spanish; anyone who grew up speaking Spanish...

In this class you will actively use your Spanish every day, learn about being an effective bilingual professional and develop fundamental intercultural skills.   CRN: 32868 T/R 9:30 – 10:50  1002 Siebel Center for Design Prof. Ann Abbott, arabbott@illinois.edu, 4006 FLB  

Through the thematic frame of ‘otherness,’ this course will consider how writers of different historical moments have portrayed their experiences with the unfamiliar and distinct.   Writing Otherness: Specters, Misfits, and Selves The focus of SPAN 312 is the critical analysis of selected texts and periods representative of Spain's literary production from the 18th century to the present, with special attention paid to broader literary and cultural contexts. In this section of SPAN 312, we will approach texts from the thematic frame of ‘otherness’ to consider the...

This course aims to address and complicate the body as a category and material of representation in Latin American culture in the 20th and 21st centuries. Through novels, short stories, movies, and performances, we will analyze how the body is thought of and written from diverse embodiments that defy the hegemonic construction of the body, such as bodies with disabilities, plus size, sick, or racialized bodies. Likewise, we will consider other possibilities of questioning the materiality and limits of the body regarding its relations with nature and technology.   El cuerpo...

Experimentar (verb. to experience; to experiment) leads this seminar and practicum on a study of how bodies experiment with political and cultural narratives about its experiences. Moreover, in this vein, the structure of the seminar experiments with the experience of studying bodies by blending the seminar with practice-based research: this is a seminar and practicum experiment. In “Bodies Experimentales,” we will ask, how does the body experience other gendered and racialized material worlds? Grounded queer theory and transgender studies, this seminar studies the themes of...