My dissertation investigates how contemporary Colombian trans narratives reconfigure the categories shaping the idea of the human through trans epistemologies and community resistance amidst violence. By analyzing autobiographies, videoperformances, fiction, and cinema produced in alternative spaces, it examines how these works challenge exclusionary social, political, and aesthetic systems that marginalize trans lives. Rooted in Trans Studies, and Critical Theory, I argue that these narratives dismantle binaries defining humanity, decentering cis-heteropatriarchal norms. These aesthetic productions transform violence-marked spaces into sites of resistance, solidarity, and speculative futures, proposing new ways to inhabit the world and reimagine relationality across human and non-human entities.